5 Tips for Improving Your On-Camera Audition
Any audition can feel like a mental hurricane of an event—especially an on-camera audition. There’s so much going on through you and around you. You’ve worked on your sides, worked with a coach or friend, and marked where you need to look in the room technically to make your scene come to life.
However, things happen so fast that many times you forget to take the time to ground yourself, focus on the reader, and note where, on the opposite side of the camera, your mark is so that you can create the relationship of the other actor in the scene. Auditioning for the camera is a visual medium, so you need to be able to tell your story with pictures and know how to make your audition work technically so that your story is told accurately.
Make things as easy and clear for yourself so that you know exactly what it is you want to do technically.
Here are five suggestions to help you stay grounded and focused when you walk in the room.
1. Breathe. Take calm and deep breaths outside the room and also as you walk into the room. Your body always remembers the pattern of your breath. If you’re breathing rapidly, your body will associate that breath with nervousness and will act accordingly. Act relaxed, and your body will think relaxed.
2. Find the eyes. Find and look at the reader in the eyes the moment you walk in the room. Don’t stare her/him down, but just make a mental note to catch the reader in the eyes as you walk in and say hello. You walk in and say hello, but if you don’t look the casting director or reader in the eyes, you don’t mentally prepare yourself to see that casting director looking right at you when the scene starts, which can throw you off for a beat or two.
3. Find your mark quickly. Find your mark immediately after you have introduced yourself. You are looking for where, on the opposite side of the camera, you will take the majority of your scene if you plan to create another relationship. Think of the camera as Mickey Mouse with two big ears. You want to focus on one ear, which will be the reader or casting director, and then you want the mark on the wall or somewhere in the room that is near enough to the camera to be the other ear. This will help you to not get lost when your adrenaline is up during your audition.
4. Practice fast and flat. When you run your scene with your friend or coach, ask them to be sure to run it a few times, giving you the lines flat and quicker than normal. With a short TV or film scene, casting directors or readers in the office are reading the scene so many times that they need to run through the scene quickly in order to move their day along, which is completely understandable but if you’re not ready for it, it can throw you a bit.